{"version":"1.0","provider_name":"ArtBridge","provider_url":"https:\/\/art-bridge.org","author_name":"LIMIT8","author_url":"https:\/\/art-bridge.org\/author\/limit8\/","title":"Fe in a Crowd, Laurence Groux\u2019s contribution to the ArtBridge Installation, The New York Times - ArtBridge - Connects the Public to the Arts","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"eqlYDbzrdo\"><a href=\"https:\/\/art-bridge.org\/fe-in-a-crowd-laurence-grouxs-contribution-to-the-artbridge-installation-the-new-york-times\/\">Fe in a Crowd, Laurence Groux\u2019s contribution to the ArtBridge Installation, The New York Times<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/art-bridge.org\/fe-in-a-crowd-laurence-grouxs-contribution-to-the-artbridge-installation-the-new-york-times\/embed\/#?secret=eqlYDbzrdo\" width=\"600\" height=\"338\" title=\"&#8220;Fe in a Crowd, Laurence Groux\u2019s contribution to the ArtBridge Installation, The New York Times&#8221; &#8212; ArtBridge\" data-secret=\"eqlYDbzrdo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/art-bridge.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/art-bridge.org\/wp-content\/uploads\/2020\/01\/17.jpg","thumbnail_width":400,"thumbnail_height":300,"description":"The management at London Terrace Gardens proved receptive to the idea, and Mr. Durso persuaded Spring Scaffolding to let him use their scaffolding. Mr. Durso found contributors by placing an application on Web sites like that of the New York Foundation for the Arts. The..."}